CSE Revue’s production of Script Bob Square Brackets, performed at the Science Theatre, was two and a half hours of pure hilarity that completely exceeded my expectations. From the very beginning, it was clear that the audience was in for a lively experience.
The play opened with an incredible dance performance that was energetic, bubbly and perfectly choreographed. Every cast member brought in so much enthusiasm to the stage that it immediately set the tone for what’s about to come.
While the title might suggest that the play is a direct parody of SpongeBob SquarePants, it wasn’t a simple retelling, rather, the show used familiar characters and their mannerisms: SpongeBob, Patrick, Squidward, Sandy and Plankton, but built its own unique world around them to blend in well with today’s zeitgeist. Even if someone had never seen the cartoon, they would still be able to enjoy and understand everything that happened on stage.
There wasn’t a strict storyline; instead, the play unfolded as a series of funny, fast-paced skits. In a time when audiences are used to short-form content, the quick transitions and variations made it incredibly easy to stay focused and entertained. One moment there would be a dance number, the next a short sketch between characters, and then a comedic bit from the narrators.
Speaking of the narrators, they were exceptional. Their hilarious banter kept the pace moving during transitions, and their skits had the audience laughing nonstop. The orchestra also played a huge role throughout the performance, often joining in on the humor. One recurring joke involved a member of the orchestra dedicating songs to his friend Ishfaq, who was supposedly unlucky in love. It became an ongoing gag that tied the whole show together and added another layer of comedy.
Talking about the cast, each one of them did justice to their characters. From Squidward’s flawless mastery of facial expressions, especially that perfect look of annoyance while playing the clarinet, to SpongeBob’s adorable high-pitched voice, excitement, and bubbly mannerisms, everything was literally spot-on, capturing the essence of the original character so perfectly. Mr. Krabs, staying true to his famously greedy personality, was hilarious and memorable, especially when he performed “Money, Money, Money” by ABBA. Patrick’s clueless charm was another highlight; his decision to bring a jar of mayonnaise as an “instrument” had everyone laughing, a perfect nod to the humor of the original SpongeBob SquarePants.
Plankton’s subplot, involving his Computer wife, Karen, was also hilarious. The absurdity of the situation, wherein her being nice meant she was “malfunctioning” was just the kind of humor that made the whole play so memorable. (For context, Plankton is the antagonist of the show and has a computer wife, Karen, who is usually logical and emotionless.)
The play’s humor was definitely targeted toward a university audience. There were plenty of pop-culture references and cheeky jokes, including sexual innuendos and dark humour but all done in a way that felt natural and genuinely funny. It never felt forced or overdone. Script Bob Square Brackets was an absolute delight to watch. It was chaotic and unserious in the best possible way. The combination of dance, live music, comedic narration, and playful humor made it one of the most enjoyable productions I’ve seen on campus.